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A world of Inktobers…

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I have been using a Faber-Castell PITT artist pen, soft brush #199. I love it. The point is fine, the bristles are soft. The ink is dark. And I found it at Michael’s for only $5.

I’d rather ink with a brush, but it’s a messy affair- and clean-up is brutal. With a brush pen, you get the experience. However, it’s water soluble ink… meaning that it’s not waterproof and erasers pick up the ink when you try to rub out pencil lines.

I had been teaching myself how to ink for years. I was trying to develop my confidence as nervousness leads to shaky results.

One way to gain confidence is to draw with a ball point pen: I filled up an entire small sketch book with hundreds of messy pen drawings. As I was feeling more confident, I moved on to crowquill. I would also use india ink mechanical pens, but you get no flexibility in the line.

It’s been a few years of on/off use, and you’ve seen me post some stuff before. Now that Jake Parker has released the Inktober 2018 list (here’s a print friendly…

Exorcising Old Ghosts with Brush, Pen, and Ink

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It’s been an interesting few months since I’ve updated last. I have been working diligently in my sketchbook—which I will share with you right now (most of these lifted from my Instagram).

You can see I’ve been working hard at inking with traditional tools instead of the India Ink Pilot pens- which I love, but are inflexible when it comes to line thickness.







I’ve also been experimenting with style. Here are some cartoony ones that I had done a number of months ago, as well as an homage to G.I. JOE fan art. It is what it is… nothing is really refined. I also took some time to work on some pages from Brian K. Morris’ Masked Pilot story.








My largest project is an 88-page graphic novel. Accountability to myself is difficult; I have a wife and family, and a very demanding full-time job, and other responsibilities- I have precious little time to myself.

From time-to-time I get inquiries about working for a project. I’m humbled that people find my work valuable and appealing. However, wh…

Writing Prompt #20: Ten Thirty One

10:31pm.
He’s thirty-one minutes late. Grundy was never good about keeping time, but he’s never left me to wait this long. Something’s happened.
The dishes clatter in the back as broken Spanish curse noodle-fingers and aching backs. I finish up the cold coffee and place a five on the counter. I smile at the waitress and she nodded a wink.
The February chill cut me to the bone. It hadn’t snowed all season; the drought saw to that.
I turned the corner and slipped on wet cement, catching myself against the wall. Warm and sticky- with a heavy whiff of iron and alcohol… I nearly heave at the sight of Grundy’s headless form prostrate on the ground, arms and hands frozen defensively in front of him. Giant teeth marks where his collarbone should have been said it all- the beast is awake, here, and on the prowl.

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Yep. I'm starting these up again. I find my best creative flow when I write. Let me know what you think!

Finding Focus

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I had met Todd McFarlane briefly at the 1994 San Diego Comic Con. "Met" probably isn't really the most accurate word- he signed my copy of Spawn #9 (first appearance of Angela). At the time, I was more interested in meeting Greg Capullo, who was Todd's first penciller other than himself who worked on Spawn.


I came across this interview of him on Youtube by Complex, and have realized a number of very strong points that are helping me bring my focus ever sharper. I am dropping my games for now- I need to focus on the sequentials, and I am going to concentrate on ONE property... and I know which one.

Things have been rocky this month- my father-in-law has passed away and that's been rough. We are laying him to rest next week. Some other family items have come up, but life happens while you make other plans. The trick is to stay on course, and this video helped solidify my goals.

The Perpetual Chase

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A few things have happened recently that really cemented my resolve in the direction I should be following; my one true path, so to speak.

I had left my day job a couple of months ago- the original intent was to hone my illustration skills. As it were, I was given an opportunity to work with a friend; while it's a great opportunity for anyone that wants to move into that industry, it simply wasn't the right fit. Aside from that, it clearly demonstrated to me that I had detoured from my original intent of becoming an illustrator.

I know I have a way to go. I tell myself "Gee, if only I had been working on my draftsmanship I'd be pro by now." That's true, but I forget that I have also been working on my storytelling ability through filmmaking. I like to write, but I also love visuals. I have been told BY AN INDUSTRY PRO that I have a firm grasp of storytelling sequentials on par with those working as pros.

So, all this work has not been in vain, and it's an…