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Showing posts from 2008

Peppering the Salt

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Howdy! It's been a wild and busy month. I've finished helping with Oisin- editing, editing sound and color correction and have handed it back to Russ Adams.

With that, I have turned my attention back to Salt of the Earth, which I have gone down and dirty with the edit- refining it so the pace is appropriate to all the scenes. I've also been storyboarding out the pickups which will give the first scene an entirely different context than just a simple conversation in a plaza. As I have been editing it, I've been color correcting it as I go. Here's some more grabs:








I've also asked my long time associate Brett Stagg to create an animation for me that will play at the beginning. Once all of that is done, it's the business of cleaning up the audio, doing the sound design and scoring it. I was really hoping to have been to this point, but projects and freelance kept popping up!

The second of the "future noir" shorts has been written, and I have been working…

Back to the Future... again.

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The final cut is almost finished on Oisin, than the audio edit should go fairly fast, than it will be passed back to my friend and fellow filmmaker Russ Adams to finish his sound design, than he'll send it off to the composer to get scored.

Salt of the Earth needs pickups. We're working on what and when, but it will be a bit before we can go back out. Than sound design, etc etc and that will be finished.

While I've been home, I've been hit with a ton of inspiration on the re-write of an old friend: Corner of the Mind's Eye. Essentially, being away from it for a year or so has given me an opportunity to look on it again with fresh eyes, and I can see within the story structure why it didn't make the cut for the Slamdance Screenplay Competition a year ago. The "B-Plot" was underdeveloped...which I knew, but once I went and wrote up a "history of the story's world" everything came together: The intrigue- the conspiracy- the drama- the heart …

Michael Turner: 1971-2008

http://en.wikipedia.org/wiki/Michael_Turner_(artist)

Before my advent into filmmaking, I was an aspiring comic book artist. I was good, but I was way, way, way too slow. I would always marvel at the amazing talents of it all... and Michael Turner was definitely one of them.

I've known he's had a long battle with cancer... and with sadness came across the news that he had passed yesterday.

Thoughts and prayers with his family.

...

Biography of a Film

So, things have been quite the rollercoaster ride for the past month. I have been polishing a feature script for the past six months, and it has drastically changed in the past couple. It's funny how a story evolves and changes and it's not even the same one you'd thought was a winner.

I bought "The Making of Star Wars" a few weeks ago, and read it cover to cover. It's like an biography for a film, you see all the pitfalls and lucky breaks... and backbreaking labor it takes to MAKE A MOVIE. George Lucas went through four drafts... four COMPLETELY different stories and even then was changing it in the middle of filming. Despite hostile environments, hostile crews, hostile studios and an effects crew seemingly more interested in experimenting rather than creating... he did it. Absolutely not to his satisfaction, but he changed filmmaking and the world of many- including myself. But he did it- and it was through SHEER determination.

However, you can't c…

"Maybe..." on IMDB

http://www.imdb.com/title/tt1234547/

"Maybe...", a comedy film made during the 48 Hour Film Project Competition in Salt Lake City, 2008 has been listed on the Internet Movie Database.

Still waiting for all the updates to our listing, but Lost Skies is now officially listed on the IMDB!!

We are planning on putting it in a few more festivals.

Now, on the the next project...

48 Hour Film Project - SLC 2008

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This is going to take a couple of blogs to get in everything that has happened in the past week. It's been a whirlwind of excitement, from the 42 Hour day, cast/crew of 30, nine setups and 4 locations... and we were all STILL laughing and hugging by wrap at 11pm Saturday night.

I will in the next week have pictures and the short after this event is completed on Monday!

In the meantime, here is stills photographer Ben Bamba's Flickr set from the set of "Maybe...". I will have another set by stills photographer Brad Leatham soon.

Also, here is the official 48 Hour Salt Lake City Blog where both I and Producer Pietro D'Alessio have posted.

Enjoy!

Stay tuned!

Budgets & Strategy: Part II

So the pitfalls of pre-production all come down to planning.  It's not enough just to "know" what you need.  You need to write it down, figure out how you are going to acquire it, and have an alternate plan in place incase it's not going to work out.  
There is plenty of production software out there.  I've discovered one called Celtx, which is perfect because not only is it FREE (and just because something is free doesn't mean it has value), it is actually really good.  I like to think of Celtx as scriptwriting software on steroids.  Without going too much into the features (you can go to their site to do that yourself),  it is able to categorize items and give detailed information on props, actors, characters, sets, vehicles, livestock, etc.  It also allows you to create backgrounds for your characters, and lets you define why your scenes are important.  
The key feature of this is you can use it on the internet, and create a group that can access all the fil…

Budgets & Strategy: Part I

You know, as I've been paper producing my next project, I've came to a few conclusions that I have found that I need to work on myself, and it's the same problem other filmmakers have:
Budgets.
Of course, you need to budget your money so you know how much you can spend on a set, or that costume with the rhinestone and lights, or if it's going to be sandwiches or pizza for the crew.  That goes without saying.  You'd be surprised how many filmmakers usually skirt around all of this.  Charm only goes so far.  This also goes for available resources- what you can already bring to the film in terms of equipment: lights, camera, greenscreen, yada yada yada.  The favors of others bringing in their gear and what you'll have to barter with.
However, I've also realized what the biggest resource of all:  People's time.  A donation of a person's time is often more valuable than any monitory income you can bring into your film by any investor.  They are sacrificing …